THE STORY

Based on Louisa May Alcott’s beloved novel, Little Women: The Broadway Musical follows the four March sisters as they come of age in Civil War-era Massachusetts. At the center of the story is Jo, a fiercely independent aspiring writer determined to build a life beyond society’s expectations. Alongside Meg, Beth, and Amy—and guided by their devoted mother, Marmee—Jo experiences the joys and heartaches of family, friendship, love, ambition, and change. When she is challenged to write more honestly, Jo discovers that her greatest story may be the one unfolding around her. Filled with soaring music, humor, and tenderness, Little Women: The Broadway Musical is a timeless celebration of sisterhood, resilience, imagination, and the courage to follow your own path.

THE PERFORMANCES

ON SALE SOON

Thu, Nov 5, 2026 - 6:30p
Fri, Nov 6, 2026 - 6:30p
Sat, Nov 7, 2026 - 6:30p

IMPORTANT DATES
Auditions/Callbacks Aug 26 & 27 (see below for audition paperwork)
Rehearsals begin Sep 9
Tech starts Oct 24
Performances Nov 5-7
Mandatory Strike Nov 8

Director - Lindsay Brooks
Choreographer - Kelsie Blackwell
Music Director - Jordan Killion

CASTING NOTICE

LITTLE WOMEN: THE BROADWAY MUSICAL

Book by Allan Knee
Music by Jason Howland
Lyrics by Mindi Dickstein
Based on the novel by Louisa May Alcott

Auditions

Date: Wed, Aug 26 3:30-9:30
Location: Servite Studio and Theatre
Callbacks: Thu, Aug 27 3:30-9:30 - by invitation ONLY
Rehearsals Begin: Wed, Sep 9
Performances: Nov 5-7
Mandatory Strike: Nov 8

Audition Sign-Ups Available during the Following Times
Thu, Aug 20 6:00 - midnight - Thespian Troupe Members
Fri, Aug 21 - Workshop Attendees
Sat, Aug 22 - Tue, Aug 25 - Open to all 

AUDITION FORMS

REGISTRATION AND AUDITION CHECKLIST

PROVIDED MONOLOGUE - from the workshop, use if you are having trouble finding material

PROVIDED SONG - from the workshop, use if you are having trouble finding material

Casting

The production will include the principal roles listed below and an ensemble of up to 12 performers.

Principal roles may be double-cast based on the needs of the production. Double-casting is not guaranteed. We will announce performance assignments and rehearsal expectations with casting.

Vocal ranges indicate the written demands of the score. Voice types are provided as general guidance; performers should audition for any role they feel suited to portray.

Principal Roles

JO MARCH — Mezzo-Soprano/Belt, E3–A5
Passionate, imaginative, and fiercely independent. An aspiring writer determined to create an extraordinary life.

MEG MARCH — Soprano, Bb3–F#5
The eldest March sister. Romantic, gracious, and hopeful, with dreams of love and a family of her own.

BETH MARCH — Soprano, A3–G5
Gentle, musical, and deeply compassionate. The quiet heart of the March family.

AMY MARCH — Soprano, B3–F#5
The youngest sister. Spirited, ambitious, and determined to become a sophisticated young woman.

MARMEE MARCH — Mezzo-Soprano, Eb3–Eb5
The strong and loving mother of the March sisters. Warm, resilient, and quietly courageous.

THEODORE “LAURIE” LAURENCE — Tenor, Bb2–Bb4
The charming and energetic boy next door. He becomes Jo’s closest friend and an honorary member of the March family.

PROFESSOR BHAER — Baritone, G2–F#4
A thoughtful German professor who challenges Jo to find her authentic voice as a writer.

JOHN BROOKE — Baritone, C#3–F#4
Laurie’s reserved and dependable tutor. His relationship with Meg reveals his tenderness and romantic heart.

MR. LAURENCE — Baritone, D3–E4
Laurie’s stern grandfather. His guarded exterior conceals a generous and deeply compassionate nature.

AUNT MARCH — Mezzo-Soprano, E3–F5
The formidable and opinionated March family matriarch. Proper, demanding, and frequently very funny.

ENSEMBLE — Up to 12 Performers

Flexible Soprano, Alto, Tenor, and Baritone Singing Voices

Audition Preparation

Please bring/prepare:

  • A one-minute or shorter musical-theatre song in the style of the production

  • Clearly marked sheet music in the correct key for you

  • A 30-second monologue

  • Clothing and shoes suitable for a movement call

  • All paperwork must be COMPLETE at the audition (please use the General Registration Form)

An accompanist will be provided.  TRACKS / A CAPPELLA AUDITIONS will NOT BE accepted.

Performers may also be asked to:

  • Read scenes from the script

  • Learn a short vocal selection

  • Participate in a movement call

  • Demonstrate character work or physical storytelling

What We Are Looking For

We are seeking generous, collaborative performers who can combine strong storytelling with confident singing and committed character work. Performers of varied backgrounds and experience levels are encouraged to audition.